Photo Traveler

Bob Krist’s Travel Photography Blog

Frommer’s Now F’ing Both Freelancers AND Photo Enthusiasts!

Career issues, Ironies, Legal Issues, TravelMarch 11, 2010

A while ago, I was contacted by an agency representing Frommer’s, an august name in travel publishing, to provide photos of Philadelphia for a guidebook. I had the depth and volume of photographs they needed, and it was winter and they were in a hurry, so shooting the thing would be difficult. The rates for the photos were the new dismal normal, but the volume sale of existing images would have made it worth it.

Worth it, that is to say, had they not wanted more rights….like the rights to use the pictures in a variety of their publications, and license the pictures to others in perpetuity.  They didn’t ask for the copyright, they just wanted all the rights that copyright affords the creator. In other words, they wanted to own them and they wanted to pay $70 a  subject ( and a subject could include up to 5 photos) to do so.

But, there was a “bonus” fee for any photograph published as a “feature,”  up to $675 for a full page. So if there were larger pictures in spreads or “features” as they were referred to in the contract, they’d pay more, but basically it was $70 a subject for all rights.

I told them it was “one time use” at those rates, or nothing. They decided that they couldn’t live with that, and I walked.

Then, a little while ago, I heard from a young colleague who actually shot a similar book for them in the Middle East. She photographed the whole book, handed it in, got the layouts which had many of the big pictures and “feature” spreads, and waited for her check. Which, when it arrived, was much lower than provided for by the contract because Frommer’s all of a sudden decided that “feature” means “cover” and that no inside picture usage was worth more than $70.

Last I heard, they were going to court. A mega-publisher against a fresh-faced freelancer in a battle of lawyers….hmmmnn, wonder if they thought she might be naive and back down in the face of all that firepower. Think again.

I guess when you put life and limb on the line to document civil unrest, war, and violence while covering the Middle East like she does, a few suits from Hoboken with Ivy League law degrees are just not that scary.

And, in the spirit of three strikes and yer out, I just heard from another colleague about a photo contest Frommer’s is running….probably because of the problems they’re running into screwing the photographers they signed to work with. You can win $5000 and get your photo on the cover of one of their guidebooks. Sounds like a cool contest, until you read the fine print:

Participant retains ownership of the copyright in any submitted photographs. However, by entering photograph(s) in this Contest, participant grants Sponsor the irrevocable, perpetual right to edit, adapt, use and publish in any media now known or hereafter discovered any or all of the photographs without compensation to the participant, his or her successors or assigns, or any other entity. ENTERING A SUBMISSION IN THIS CONTEST CONSTITUTES PARTICIPANT’S IRREVOCABLE ASSIGNMENT, CONVEYANCE, AND TRANSFERENCE TO SPONSOR OF THE FOREGOING RIGHTS.

Yeah, um, you didn’t win, and sure you “own” the photos, except that we’re going to use your photos in perpetuity for nothing, (so screw you and your sense of what ownership or copyright means!)

Apparently Frommer’s is expanding its field of operations  from screwing professionals to duping amateurs, and they are doing both with energy, audacity, and an astounding lack of scruples (way to use your law degrees, guys. Keep burying that shit in the fine print—-who reads anymore anyway? After you finish up with the photographers, there’s always taking candy from babies and foreclosing on disabled veterans to look forward to!).

I think it would be wise to boycott this contest, and boycott Frommers guidebooks or travel products entirely, and let everybody within earshot or “webshot” know that this is another rights grab in sheep’s clothing.

More Fun at Home….

Photo © Bob Krist

Well, I know this is supposed to be a travel photography blog, and I have been traveling lately (but again, can’t show the results just yet due to legal issues), but I am having a stone-cold blast working on my “New Hope: In Character” community portrait project.

New Hope, or Coryell’s Ferry as it was called at the time, was the place where Washington and his men crossed the Delaware to defeat the Hessians and the Brits in Trenton on Christmas Day all those years ago.

These guys re-enact that crossing every Christmas Day here in Bucks County. They get in those longboats, and unless the river is choked with ice, they row across Delaware come hell or high water. It’s an amazing sight to see and a Christmas morning tradition in these parts.

Now, I don’t want to say that they take their roles seriously, but some of the guys who re-enact the crossing had ancestors who were actually involved in the original crossing three hundred years ago. Can you say, “tradition?”

I was so appreciative that these gentlemen decided to come up and participate in this portrait project. In these parts, these guys are almost as famous as the men they are embodying.

For a look at the lighting setup, hit the jump. Read more…

Tales of Customer Service Continued….

Ironies, Photo TechniquesMarch 3, 2010

Time for more of the copyrighted feature, “Tales of Customer Service.” Actually, I’m ripping this concept off from another copyrighted feature, “Tales of Airport Security,” from Harry Shearer’s excellent weekly radio program “Le Show”on NPR. If you haven’t caught Harry when he’s not being Mr. Burns, Smithers, or the guy in Spinal Tap, you should catch Le Show.

First, the good news.

The guys at Camera Bits, creators of the best and fastest image browser in the universe, Photo Mechanic, continue to innovate, and to provide the best damn software support in the industry.

If you have a glitch or a hitch with a new version of PM, and you report it, you’ll get personal responses, and advice, from not one, but a bunch of different guys from Camera Bits, and your problem will be solved, post haste. No case numbers, no bizarre reporting rituals, no bullshit runarounds. Just solid answers and personal service.

If Photo Mechanic wasn’t already the best browser in the business, I would still follow these guys into the jaws of hell, just on the strength of their concern and followup with their customers.

Alas, for every great, there’s a grunt. And in the world of self-publishing, that grunt is Lulu.

I’ve been publishing my book, 101 Tips for Travel Photographers, with Lulu for some time now, and have not had a problem with quality control. Peggy, on the other hand, just wrote and published a book called On His Way Home, about our son, Jonathan, and her experience has not been a happy one.

On her first shipment of 100 books, 83 had smeared pages and blotched pictures. When we reported it, we got case numbers, order numbers, incident numbers and a couple weeks later, instructions to send pictures of the flaws. We snapped jpegs of several pages in a few books, and sent them off.

No response for another 10 days, then a report. We were supposed to line up all the books and photograph the flaws of all the books in one picture, one picture of each flaw in 80+ books!

Are you f’ing kidding me?

Now, I’m no still life photographer, but if you had to line up and open 83 6″x9″ books and photograph page spreads in one shot, you’d have to use a gigapan to get enough resolution to show the actual flaws.

This is a level of customer service bullshit the audacity and stupidity of which beggars belief.

Nobody messes with Peggy, so she packed up the 83 books and shipped them back to Lulu.  Now they can get first hand views of the flaws. And we’re shopping for another publisher, needless to say.

Got a tale of customer service? Vent it here in the comments….it’s therapeutic!

UPDATE: After receiving the books themselves, the customer support folks at Lulu say they are going to issue a refund for all the damaged pieces. Never underestimate the power of the grand gesture!  BK

Fast, Wide, and Handsome

Photo © Bob Krist

Well, I can finally talk about those two lenses, the 24mm f/1.4 and 16-35mm f/4 VR, I was shooting for Nikon’s Japanese ad agency back in Miami a while ago. First, I’d like to apologize to the DPReviewers and Nikonians whom I upset with my passing mention of new gear I couldn’t identify until it was announced.

Guys, I’m sorry. Didn’t mean to rile you up that much…. although it’s pretty much a truism that at any given time, camera manufacturers are testing new stuff, so I’m still not really sure why everybody got so, um, exercised.

Actually I do know why. Speculating about new gear is almost as much fun as eating pizza and drinking beer (you know you’ve reached a certain age when pizza and beer go from being a dietary staple to a forbidden fruit), and far less damaging to your arteries (although it seems to play havoc with some people’s blood pressure!).

There was no marketing conspiracy, though, with me making the passing mention. I just really needed a blog post (sometimes, it’s very hard to come up with bi-weekly tidbits….it’s the freakin’ digital Sword of Damocles hanging over your head!) and really it was to talk about the helicopter company and give them a plug.

But folks posited all kinds of conspiratorial sub-rosa marketing campaigns. Thankfully, nobody accused either Nikon or me of engineering the great financial meltdown or fixing the Super Bowl game. (So, my all-powerful Nikon cronies, and fellow members of the New World Order, we got away with those; heh, heh, heh….yeah, Cheney; gimme a high five!).

This shot was done with  the new 24mm f/1.4, a nano-coated gem. It’s a 77mm filter mount, not too big or heavy for what it is and sharp as a tack. Nice bokeh too. I made this shot with the D3s I had to borrow to do the shoot (I’m a DX guy, still, but am sorely tempted by these lenses—I miss the narrow DOF with fast, wide glass. And this baby is just a world class optic.).

It’s Tungsten white balance and the musician, Miami personality, and all around great guy Leo Casino is being lit with an orange gelled SB900 shot through my little portable umbrella setup held by an assistant.

Hit the jump for a couple of other samples. My brief from the agency was to highlight the nice bokeh and shoot wide open, or close to it, whenever possible. More on the other lens coming up in another post. Read more…

Everything you need to know about shooting the news….

Forget journalism school, here’s the secret formula…..

YouTube Preview Image

Prides cometh before a fall….

Sleeping prides are no problem to pick off with your DSLR video rig.

Okay. You name the parable, metaphor, or simile that involves overconfidence and overweaning ambition combined with lack of experience, and you can put it in the lede of this post about my foray into being a fulltime videographer on my recent safari through Tanzania.

By day two, I had visions of myself in a second career as a cameraman for Wild Kingdom. I pretty much went through the week like that…until I got home and really looked at my work. Ay carumba! What can I say….those were just delusional dreams brought on by the strength of the sub-Saharan sun!

Oh sure, I could harp on the fact that video-enabled DSLRs have a long way to go in convenience and handling before they become viable machines for documentary work (if you have actors who can do several takes of every shot, the image quality of the video from these machines completely overshadows their handling shortcomings).

And there’s nothing like multiple takes to help cover a myriad of handling mistakes, too.

It’s no mystery that the videos Nikon and Canon are using to promote their video-enabled SLRs are more like short movie features or commercials, with multi-man crews, rather than documentary projects. As Hilary says, “it takes a village” to raise a child. To that I’d like to add that “it takes a crew” to make great video.

But if you have baboons who don’t take direction, or lions who march to the beat of their own drummers, you are in deep doo-doo if you have only one chance to capture this video action on the move with a DSLR.

Hit the jump for a rundown of the things that plagued me, and why I won’t be giving up on DSLR video anytime soon! Read more…

Studio in the Street

Destinations, Ironies, Photo Techniques, TravelJanuary 15, 2010

Photo © Bob Krist

As a travel and location photographer, I rarely get to work in a studio, but that doesn’t stop me from looking for what I call  “studios in the street.”  These are interesting, found backgrounds—usually painted murals, textured walls, unusual facades—that make great backdrops against which to photograph people, either in posed portraits, or just grab shots as they walk by.

Last week in Miami, using some of the mystery gear that has many of you in a major tizzy (more about that later), I used the same technique. But before you going searching the EXIF information of these pictures, these examples are not from that assignment! So you can relax.

The takeaway from this post will not be some top-secret coded reference to the gear (seriously, there was an entire deconstructionist discussion on DPReview (or was it Nikonians? I forget)  on the use of the word “huge” in my last post that rivaled the bulls__t you’d hear in a post-doctoral seminar in Proust at Princeton!)

No, the advice I can give you here is in certain travel situations, it’s often a good idea to find an interesting background first, and shoot what comes along in front of it.  In the case of street murals, billboards, etc. I often just wait for some kind of activity–walkers, joggers, bicyclists, etc to occur in front of it, as I did below in Havana.

Or, if I find an interesting person who’s part of the city scene, I’ll often bring him or her to the background and use it as a studio backdrop, as I did with the musician in New Orleans above.

Photo © Bob Krist

So keep your eyes open on your next trip for studios in the street, and you’ll be surprised how often they can help you make pictures where they might not otherwise exist. It really helped me, much more than did the equipment, make some interesting shots last week in Miami, when the weather completely went south, or more accurately, went north on me.

Now, as for that equipment, hit the jump for my thoughts on that…. Read more…

Miami Ice

Photo by Joe Reyes

I’ve been down here in Miami for four days now, and it’s been freezing and either rainy or cloudy the whole time, except for one afternoon. Then it was just freezing and sunny.

I’m shooting another one of those jobs that I can’t share with you (until the client uses the pictures) and it’s a gig that I can’t even show you the gear I’m using (that’s proprietary too).

It’s one thing to play a priest on the internet (for that I’ll go to hell, but at least I won’t lose a client….they’ll all probably be down there with me:-)), but I don’t want to be one of those photographers you read about who do behind-the-scenes Tweets, posts, and videos of their ad shoots and then get fired because the client is furious because you’ve jumped the gun and trumped and precluded their own announcements.

Plus I haven’t figured out Twitter or Facebook yet, so I’m safe in my Luddite-ness. Who says ignorance isn’t bliss?

But that does explain the shot of the back of my head and the back of the camera for this post.  We’re shooting aerials of Miami…at twilight.

As Paris Hilton might say, “That’s huge.”

Hit the jump to find out what I can tell you at this point! Read more…

Travel Photography in the Time of Underpants Bombs…

….will be much tougher than Love in the Time of Cholera.  I just flew down to a job in Miami from Newark Airport (good old Terminal C, my home away from home and the same one that was shut down the other day because somebody waltzed up the down staircase) and while it wasn’t too bad, it’s not going to be the same either.

The time of one carryon and one carryon only is coming. Especially on overseas flights. I’m flying to Tanzania in a couple of weeks, right through Amsterdam, and I’m currently figuring out how to jam two carryons worth of stuff into one bag.

It’s a safari and I thought my only concern was the 33 lb. limit on my checked bag for the regional charter in country. Now I have to get the long lens gear, audio stuff, and the backup stuff in one bag that will pass muster in Schipol Airport (and weigh less than 13 lbs). Remember the Minox?  I might be the first guy to shoot a safari on a cellphone. What the hell, it worked for Chase Jarvis!

Hit the jump for a couple of strategies to consider: Read more…

The Sins of the McNally Shall be Visited Upon the Father…

I don’t know why I let McNally talk me into these things. What can I say? He’s irresistable!

So now I know for sure I’ve got a ringside seat reserved in hell; but at least it’ll be warm….

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