Photo Traveler

Bob Krist’s Travel Photography Blog

Hands on impressions of the Nikon Coolpix P7000

Destinations,Photo Gear,Photo Techniques,Technology,Travel — September 7, 2010

I had the opportunity, a few months ago, to work with prototypes of the newly-announced Coolpix P7000 on an assignment in the Southwest US. It was for Nikon’s ad agency in Japan. The P7000 is a fully-featured compact that would be the perfect backup/stealth/walkaround camera for a travel photographer.

This is not a review. So, if you are looking for MTF charts, camera-to-camera comparisons, and all the stuff a full-blown review offers, stop reading now, please.

It is, as the headline clearly states, my impressions of the machine. On these gigs, I’m handed a camera or a lens and I have a limited time to make as interesting a set of pictures as I can, not do side-by-side comparisons. So, tech heads, please forgive me in advance:-).

When I got the call, my client said “bring along your DSLR too, in case we see something special and you want to shoot it on your main camera.” I thought it was a very generous offer, but based on my previous experience with a variety of compacts, I declined. I knew that, in the heat of a great photo opportunity, I’d probably forget to use the compact altogether (Oy! Can say “blown assignment?”).

So, in order to save me from myself, I went out without a “net,” and after a day or so of getting used to using the LCD screen (although there is an excellent, if not 100% accurate, optical viewfinder), I didn’t miss the D90 nearly as much as I thought I would.

In fact, I’m using one of the pictures from this assignment in the oversize calendar that I do as a promotional piece for clients every year. I’ve done the calendar for years and never used anything but DSLR pictures. But I got my early copies last week from the printer, and the P7000 frame is indistinguishable from the DSLR frames. Not bad!

To read more about the camera and see a few JPEGs, hit the jump.

Off-Topic: William Shatner profile in NY Times Magazine

Uncategorized — September 6, 2010

It’s a holiday, so I figure I can go a little off-topic to say how much I enjoyed the bemused and affectionate profile of William Shatner in Sunday’s NY Times Magazine.

As an apprentice at the Playhouse on the Mall, in Paramus, NJ, in the early 70′s, I worked as Shatner’s personal assistant for a three week run of his production of Tennessee William’s Period of Adjustment. The Playhouse, located in one of the first malls in New Jersey, was a summer stock house that hosted traveling package shows.

Actually, the theatrical term for what I was, was Shatner’s “dresser. ” That means I was in charge of his costumes and making sure he had everything he needed. But in reality, it’s more of a personal assistant gig (which I also did for Dana Andrews, Hugh O’Brian, Jerry Stiller and Anne Meara among other stars).

I had to drive into NYC every day to pick him up, help him with any costume issues, make sure he got the right food at intermission, and drive him back to his NYC hotel after the shows. We spent a lot of time together.

I was, and still am, a huge Star Trek fan, and the first time I met him, I could barely utter a word or stop staring. They told me the important thing was not to call him Captain or make any flip Star Trek references. They said he could be “difficult.”

But he was, flat out, a delightful guy.

It was the summer between my freshman and sophomore years at college, Shatner allowed me, between a matinee and an evening performance one Wednesday, to do a whole 2-hour interview with him about acting in and directing a play (I got an A for the paper in my Theater History course that fall!). He was always generous, kind, and funny (dressers can be subject to all kinds of abuse from their stars).

When he felt like talking theater, I heard some cool stories and learned a lot of acting lore (oh man, I wanted to be just like him, or his buddy Christopher Plummer, when I grew up).

But the key was not to bother him if he was studying a script or reading. We got along great, and he gave me a huge tip when the show closed.

From then on, I followed his career and enjoyed everything (well, maybe not TJ Hooker ) he ever did. He’s a great trouper, and he sure treated me, underling of underlings, with a lot of respect.

So I can say, without reservation, rock on, Bill!

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Photog fragged by fair-use-f***ing footprint artist…

Career issues,Ironies,Legal Issues,Travel — September 2, 2010

When Seattle-based photographer Mike Hipple took this stock picture, at left, of a 1979-vintage, public-arts-financed, sidewalk piece called “Dance Steps on Broadway” by artist Jack Mackie, he had no idea that he had just stepped in the worst s—-t the sidewalk can dish up.

Because Mackie is suing Hipple to the tune of $60,000 for copyright infringement.

Now, we all know the economy sucks. And I usually reserve my outrage for predatory corporate entities bent on the economic pillaging of the individual content producer.

But now, things are apparently so bad, that it’s content-producer eating content-producer…a veritable Lord of the Flies scenario for image-makers.

——————————————————————

In the words of the ill-fated Simi Valley motorist Rodney King, “can we all just get along?”

Apparently not.

Hipple’s stock agency, upon receiving notice from the “artist” and his legal team, took the picture down from their site. But that wasn’t good enough. Mackie, who had wisely registered his piece, is now seeking punitive damages to the tune of the aforementioned $60 grand.

For more information on how this case is playing out, and how you can help (this affects each and every one of us who shoots travel pictures in public places), hit the jump.

New Hope: In Character—Reception Timelapse

Destinations,Events,multimedia — August 30, 2010

The reception for New Hope: In Character was Friday night at the New Hope Arts Center and we had a large and very responsive crowd.

Besides the local luminaries, many of whom were on the wall AND in the crowd, several old photographer friends showed up, including the Geographic’s Mike Yamashita, NY Daily News sports shooting ace Linda Cataffo (we started at The Dispatch together, but the years have been far kinder to her!) and The Record’s Peter Monsees (we’ve known each other since grammar school), The Intelligencer’s Rich Kennedy, and freelancers Jerry Millevoi, and Arun Paul.

Here’s a web gallery of the show. The prints, some as large as 30×40, were made by Aspen Creek Photo. This is the consumer lab division of West Coast Imaging. We had to keep the costs down on this job and WCI’s excellent custom B&W printing was not in the budget. But Rich Seiling and the Aspen Creek crew did magnificent work on the consumer prints that just looked great.

I’d love to take credit for the good looking files those prints were made from, but it was the Nik Silver FX Pro plug in that made those flawless B&W conversions so easy, even I could do it!

The prints were mounted by another crackerjack outfit, Philadelphia Photographics. Jack and his crew turned the job around quickly and perfectly….and they even delivered!

I can’t guarantee it would be the same for you, but photographing friends and neighbors was one of the most rewarding projects of my career…and one huge benefit was that all I had to do was walk two blocks to work—no metal detectors, no baggage handlers, and no crowded overheads! It’s the lowest carbon footprint travel photography I’ve ever done…..

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If the NRA taught travel photography….

Ironies,Photo Gear,Photo Techniques,Travel,Workshops & Seminars — August 27, 2010

Don't click this, it's just a screen grab!

….they couldn’t do any better than Geographic shooters, and all around wags, Cary Wolinsky and Bob Caputo did in this short piece. Talk about being shot out of a cannon (that’s cannon with two “n’s”), they launched their new blog, Pix Boom Bah, with this wacky video.

The site looks like a place where humor and high production values will help teach basic photography concepts, served up by these two veteran Geographic shooters (and fledgling standup comedians!). Finally, photography has its own mini Monty Python troupe!

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Nevada’s Wisdom, Where’s Jim, Stephen’s High Jinx, Joe’s Swami….

Career issues,Destinations,Photo Gear,Photo Techniques,Travel — August 24, 2010

Some of my friends and colleagues have been sharing some great information lately.

Nevada Weir, adventure travel photographer extraordinaire, shares a great post: The 10 things she wished she knew before becoming a professional travel photographer and the 10 things she’s glad she knew. Take number three in the “glad she knew” category:

I knew that I had some great traits for a traveler: I can handle alcohol; I can sleep anywhere; I have an “iron stomach”; I have a bad sense of smell; and I remain very calm in times of stress or uncertainty. All very useful for the solo traveler.

Funnily enough, I have all those same traits (especially the alcohol-holding abilities) EXCEPT that I do go to pieces in times of stress and uncertainty….but I’m working on it, sometimes even without the alcohol part!

To find out where Jim Richardson has been parking his fedora,why Stephen Alvarez craves getting high above all things, and why Joe McNally won’t confess to a swami, hit the jump. Read more…

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Samples with the new AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR

Destinations,Ironies,Photo Gear,Technology,Travel — August 19, 2010

Photo © Bob Krist

Nikon announced several new lenses today, one of which I got to play with a while ago.

Of course, I knew that an announcement was forthcoming, I just didn’t know when (because like the husband, the photographer is always the last to know).

In fact, If I hadn’t gotten a nasty email from a Czech photographer this morning who absolutely hated one of the pictures used in the official Nikon web announcement (namely, mine!), I would have never known the lens was launched.

Ah yes, there’s nothing quite like getting a new orifice torn while you’re enjoying your morning java to really jump start your day!

Unlike my critic, however, I was blessed with the opportunity to play with a prototype of the 28-300mm for a couple of days out in San Francisco last February.

I have to say that this lens, along with the venerable 18-200mm Nikkor, has completely turned my head around when it comes to the viability of a variable aperture uni-zoom as a professional tool. This one, in particular, blew my mind and spun my head around 360 degrees…(think Linda Blair in The Exorcist!). I couldn’t find a downside to it.

It’s sharp end to end, not too big or heavy, and ergonomically pleasing to use. It features a zoom lock, which is important because, while it’s not overly large for what it is, it’s a substantial piece of glass, and I highly recommend keeping the zoom lock on while you’re walking around. You can read about the specs here and also see the full-sized samples here .

You know I’m not too technical (they had to loan me an FX camera, a D700, to shoot with) but I can tell you that this is an awesome piece of glass. You literally could shoot a whole job with this baby with no compromise that I could discern (although I’m sure someone in, um, the Czech Republic might be able to!)

The VR works well and makes up for the F/5.6 at the long end (although, as a regular user of the 70-300mm VR on my D90, this is no surprise, or hardship, for me). If I were an FX travel shooter, this lens would be in my bag (paired, most likely, with the 16-35mm f/4 VR).

Man, that would be a combination (throw in the 24mm f/1.4 and the new 85mm f/1.4 for available light and bokeh issues, and you’re in FX travel-shooting heaven, my friends! Four lenses that can do it all). But if you could only carry one lens for your FX explorations, this would be it, no doubt.

Here’s another frame of a very cool performance artist called Chi Energy, whom I bumped into while shooting the Chinese New Year parade in San Francisco:

Photo © Bob Krist

Hit the jump for more of Chi and San Francisco with the new lens… Read more…

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Wide and Tight

Destinations,Photo Gear,Photo Techniques,Travel — August 17, 2010

Tech info: D90, 18-200mm

One of my favorite ways to use a wideangle is to move in really tight on a subject, getting as close as I can to it (without being pecked, kicked, slapped or arrested) and have it fill one side of the frame, while letting the background fill the rest.

It’s a great way to create a strong, storytelling picture of inanimate objects or people (or roosters). You just have to be careful, with people, not to get so close that you distort their features (unless you want to).

Here’s another example, using one of the Gorgon heads at Magnis Lepta in Libya as an anchor for the composition:

Tech: D70, 12-24mm

Or this shot of the Place of Refuge on the Big Island:

Tech: D80, 12-24

Most of the time, the side of the frame I place the subject on depends on which way he, she, or it is looking. You always (well, almost always) want the subject looking into the frame (don’t ask me why, it just feels right).

For the Hawaii shot, it was a gray afternoon, and it wasn’t twilight yet, so I set the WB to tungsten, orange gelled my SB 800 flash (which was being held by my brother Gary, who was the writer on the piece, and fired through my little portable handheld umbrella system). I underexposed the background by about 2 stops and ramped up the flash till it looked right.

So move on in with the wide angle for stronger compositions….but be careful not to ruffle any feathers!

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Terrorists sick of being treated “like photographers….”

Ironies — August 8, 2010

This just in: In England, terrorist organizations have hit out at the police crackdown on citizen journalism, which has led to radical extremists across the country being treated just like common photographers. Oh, the humanity!!!!

Don’t believe me? Why not? I read it on the internets, so it must be true:-).

http://newsarse.com/2010/08/06/terrorists-sick-of-being-treated-like-photographers/

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Is Travel Photography Dead?

Career issues,Destinations,Ironies,Technology,Travel,multimedia — August 5, 2010

www.whattheduck.net

I just read Andrea Pistolesi’s post A Requiem for Travel Photography, (first brought to my attention on Tewfic El Sawy’s excellent Travel Photographer blog).

For those of you who may not recognize his name, Andrea is one of the busiest and most talented travel shooters around, with a string of publication credits that would choke a horse. If I had a quarter for every assignment I lost to Andrea over the years, I’d be very well off—this guy can shoot (and write, in English, even though he’s Italian!).

I highly recommend taking a read of the whole post, but to summarize, Andrea posits that travel photography as a profession is gone, primarily because most of the publications that made assignments are either gone or severely cutting back. But he ends with a very cogent and insightful observation:

“I keep thinking that the world has a lot of stories worth to be covered photographically. The real task is to modernize our scope, create new ways of distribution (using the new technologies, think of the iPad for example), reach the young reader.

For the Travel Photographer the time has come to drop the “Travel” label. Everybody has a camera in his pocket today. The photographer is somebody able to see in a personal, strong way, and pass the message on..

Wow, Andrea’s analysis really hits a home run (or, more culturally fitting, scores a big goooooaaaaaal). To find out what this might mean, hit the jump.